The Song of Empedocles

(Le chant d'Empedocle)
Sylvain L'Espérance, Marie-Claude Loiselle
|
Canada
|
2019
|
107
min.
|
French

Synopsis

Empedocles imagines the birth of the world from the elements: water, earth, fire and air. His voice merge with the metamorphoses of an invisible Wanderer whose journey reminds us that the stories we believe to be outside of time never pass away.Empédocle imagine la naissance du monde à partir des éléments: l’eau, la terre, le feu et l’air. Sa voix s’accorde avec les métamorphoses d’un voyageur invisible.

Festivals

  • RIDM - Rencontres internationales du documentaire à Montréal, Canada, 2019.
  • RVQC - Rendez-vous Québec Cinéma, Canada, 2020
  • Paraloeil, Canada, 2020
  • DOK.fest Munich - Festival international du film documentaire de Munich, 2020
The Song of Empedocles

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Director: Sylvain L'Esperance and Marie-Claude Loiselle

DOP: Sylvain L'Espérance

Sound: Sylvain L'Espérance

Editing: Sylvain L'Esperance, Marie-Claude Loiselle

Music: Wolf Eye; Robert Aiki Audrey Lowe; John Cage; This Heat

Production: Sylvain L'Espérance

Version

French original
English subtitles

Format

HD, 16:9, 5.1
DCP, Pro Res

Sylvain L'Espérance, Marie-Claude Loiselle
Sylvain L'Espérance, Marie-Claude Loiselle
Quebec

Born in Montreal in 1961, Sylvain L'Espérance studied visual arts and cinema. The place that foreigners and marginalized communities occupy in our world is at the heart of the concerns of each of his films. Selected and awarded at major documentary festivals, L'Espérance's films now have an international reputation. Delta Interiors received the Prize for Best Direction at the Festival dei Popoli in Florence (2010) and On the World Shore the Grand Prix in the international competition at the Dok.fest in Munich (2013). Combat at the end of the night was presented in the Panorama section of the Berlinale (2017). Marie-Claude Loiselle continues to write an exploratory work that combines aesthetic, philosophical and poetic questions, proposing a new vision of cinema in its relationship to the world. She was a screenwriting consultant and independent curator after having served for many years as editor-in-chief of the magazine 24 images. A collaborator for fifteen years in writing and editing Sylvain L'Espérance's films, Le chant d'Empédocle is the first film they signed together.

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